Sunday, February 22, 2009

Ghostly Ten Year Anniversary

Be sure to visit the Ghostly International site to read more about the Ann Arbor record label created ten years ago by a then 19-year old, Sam Valenti IV:

Ghostly International has since come to house two labels, Ghostly and Spectral Sound.

Ghostly = experimental pop, including artists School of Seven Bells, Detroit's own Deastro, Michna, and The Sight Below, among many others.

Spectral = dance music, such as that of Detroit's Derek Plaslaiko. Also on the Spectral side are releases from James T. Cotton, only one of the many aliases taken on by Ghostly-from-day-one, Tad Mullinax /Dabrye, of Ann Arbor.

You can check out the second single from Ghostly artist School of Seven Bells, called "Iamundernodisguise," released last week from the album "Alpinisms:"

The video for SVIIB song "Half Asleep," directed by Toby Halbrooks:


Also check out:

-Last year's Ghostly/Adult Swim compilation, re-released in January:

-Ghostly's unprecedented focus on the visual art accompanying their releases

-Ghostly/Spectral Store

-Ghostly Blog at RCRDLBL
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Related:
Great article by Concentrate Media
Deastro Real Detroit Artist of The Year 2008 Article

Tuesday, February 10, 2009

Netlabels Have Strong Potential for Promoting Local Music

From what I can gather, the first wave of netlabels were created primarily by the producers of electronic music. This association is changing, however, as the Great Lakes area is on its way to offering up a diverse range of netlabel content. Still into that crazy tracker scene? Don't worry, that's out there too. Increasingly though, netlabels aren't sticking to just one genre, while others take up a regional focus. I'm hoping this catches on.
Let's back up a moment, for those who are unaware, just as I was until about a month ago. This is when I read a bulletin post from a friend, Jake Hildreth, of Surrent, promoting his newest release on the Northwest Ohio netabel Modicum of Silence.

Artwork for Surrent release Harmonic A

A little research led to an a-ha moment. "So that's what's going on over at Cornslaw Industries. They're a netlabel too!" Actually, they're a net.label, currently in Toledo, whose website is undergoing a bit of construction (they like the little period). Cornslaw is uploading some lo-fi, experimental, and a bunch of other stuff that wasn't on the internet before.

Apparent band photo for Cornslaw recording artists 10000000 AD, taken from their myspace page

Netlabels are online record labels who offer their content digitally, for free download, accompanied by the copyright considerations that go along with a Creative Commons license. This is commonly designated by a rendition of the logo below (depending on use):

Cornslaw Industries describes it well:

"The “songs,” the written stuff–the art, the creation, the “property”–remains in the ownership and control of the original creator (interpret that as the recording artist, the songwriter, the covered artist, god, whatever), but the 1s & 0s are yours to do with what you want."

Why offer up your heart and soul, your baby, your "property," for free?

Modicum of Silence puts it simply:

"While each of the label’s releases are free, users are encouraged to support its artists by donating to them individually, going to their shows, purchasing merchandise, or spreading the word."

Nic Ross at Modicum of Silence had the following to say:

"We have a strong belief in free and open-source software and services; we feel as if intellectual property should be freely distributable. The same goes for music, naturally."

Artwork for hip-hop/mashup artist RADIODOOM release RADIODOOM II, taken from MoS page

Consumers of music are now users of music. Users of netlabels can journey as far away as their tastes allow, a lot more easily than before, from the music offered by more traditional sources.

While it might not sound as glamorous or profitable as signing creative freedom away to one of the Big Four, getting on board with a netlabel can only help a musician. Netlabels require no allegiance. Musicians can take back their content whenever they want, and distribute it via any other avenue they choose, including other netlabels.

"The entire model has its downsides though," Nic explained, "as some musicians do indeed make their living from their music. For that fact alone, a lot of trust is placed upon our viewers to support the artists they truly enjoy... Overall, the idea of netlabels appeals to the internet audience."

Most netlabels offer up files for download directly from their website by way of mp3s, open source formats like Ogg Vorbis, or torrents.

Where are they getting all of this storage space? Archive.org is a popular source.

For the collectors out there, a lot of netlabels do press and/or distribute tangible albums from time to time, something they would probably do more often, with more support.

Hundreds of netlabels are springing up nationally to participate in a movement that currently seems to have the largest presence in Northern and Western Europe, or so it seemed when I visited netlabel-board.org.

Yes, I know, I amaze you with my ability to make sweeping generalizations based on a single web search. However, it is nearly impossible to determine how many netlabels are out there right now, and the number changes daily.

I also enjoyed reading, and here is me citing my source for a lot of the info in this post, an article written by Bram Trimmers at the University of Utrecht in The Netherlands, called Netlabels and Open Content: Making the Next Step Towards Extended Cultural Production, found here.

Some area netlabels of note include:

Modicum of Silence (Whitehouse/Toledo

Cornslaw Industries (Philly, Toledo, ?)

Wise Owl Records (Cleveland area)

Random Access Recordings (Detroit)

From The Gut (Detroit)

Mode of Proof (Detroit)

A couple of sources for discovering the netlabels you desire are:

netlabels.org

netlabelreview.com

I think a regional focus is a good idea for a netlabel, as the format is best suited to garnering other means of support for the artists, like attendance at local shows, and accompanying merch sales.

What follows are the remaining parts of my email interview with Nic Ross from Modicum of Silence:

Cristy: What is the story/history of your netlabel?

Nic: Essentially we created our label, being somewhat nerdy and all, to self-release our own material. Kevin and I are both somewhat out-there musically, as we have a variety of tastes and talents, so we signed up for a Wordpress blog on a whim and started posting material like any other MP3 blog. From there we searched MySpace for other local bands who were into the whole free music spiel, got their releases, threw a few shows, and set up a real website.

Cristy: What sorts of music are you uploading/dealing with - genres, locales, etc? Any restrictions?

Nic: We are based in Whitehouse, Ohio, which is about seven miles southwest from Toledo, so we primarily deal with local artists. A lot of emphasis is placed on this, in fact, because we would love to throw local label shows. We're essentially a tiny community; we've all become good friends. We are particularly passive when it comes to selecting our material. Though we primarily showcase experimental artists, if a band has a release, we'll take it pretty much on the spot. Aside from vast quantities of experimental music, we have some hardcore, rock, and even hip-hop.

Cristy: Has this resulted in added success for the bands at your site in terms of booking shows, etc?

Nic: While I can't say we have directly contributed to any of our friends' successes, I can say that several of our artists have seen vast amounts of downloads these past several months. Tree No Leaves, an experimental duo (now trio) from Lakewood, are extremely popular on our blog.

Also, my solo project's debut EP, Is (under the Our Subatomic Earth moniker), has seen over 200 downloads over the past few weeks from our blog alone.So far we haven't had much success with booking shows in the Toledo area, as it is pretty intimidating to contact all the venues and be persistent about it. Persistence is a good word to know if you're in a band or label.

Maybe you know someone who knows someone? Ha ha ha!

Cristy: Looking for new contributions?

Nic: We're always looking for more releases from local artists. As long as a band is located somewhere close, we're willing to promote them in any way we can.

Cristy: Any other area netlabels you know of/enjoy?

Nic: We are good friends with a few netlabels, including Wise Owl Records, which is actually based around Cleveland. We're planning on releasing a compilation album one of these days with them. They specialize in experimental music much like we do.

Another netlabel we enjoy is BURNthenation, who we gave some friendly advice when they started up. They've gotten their act together extremely fast--a lot aster than we did, that's for sure!

Cristy: What are your plans for the future?

Nic: Future? We live in the moment. Not to lose confidence from our viewers, but we really have no idea what we are doing. In the near future, we plan on throwing a few Spring and Summer shows, getting the bands together to have some fun, and release a few torrents.

We recently added a torrent tracker to our server and we'd love to make better use of it.

Modicum of Silence also has a myspace page. Follow them on Twitter @ modicumsilence.

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Related links:

creativecommons.org

ccmixter.org

archive.org

flickr.com/creativecommons

Wednesday, January 28, 2009

Concert House in Toledo

According to the website of Toledo area promoters Toledo Bellows:

"The Robinwood Concert House is a 1915 mission/arts & crafts home in the historical Old West End in Toledo, Ohio. Inspired by the Kerrytown Concert House in Ann Arbor, it offers an intimate setting and great acoustics."

The most recent event at the Robinwood house, held earlier this month, was a performance by solo percussionist Tatsuya Nakatani.

Construction Telescope, a saxophone duo from Toledo, and KBD, also of Toledo, opened the show.

"Toledo Bellows is a non-profit organization, seeking to challenge the current music/cultural scene in Toledo and NW Ohio."

Promoting shows ranging from free jazz, to experimental, to noise, Toledo musician Gabe Beam, along with his friend Josh Eppert, started the Toledo Bellows project by reviewing albums and area performances at their website.

Gabe tells me he began setting up events last August, and owes a lot to Toledo promoter John Brookshier, who has a history of bringing experimental shows to the area.

Aside from the Robinwood Concert House, Toledo Bellows books quite a few of their events at Woodchuck's, in downtown Toledo. Google Map

"Chuck, the owner, is super cool, he's down for anything. We've had some pretty ridiculous shows there and great turnouts. I also like it because it's one room, you're either with the music or not, no partial listening shit."

It was this devotion to the focused enjoyment of music that led Gabe to book house shows as well.

He joked that it was his own fault, "for expecting people to sit at a bar stool and get hypnotized by some drone music."

"So I put my furniture into my dining room and added folding chairs in several rows and voila - a concert house, it's nice and intimate and people pay attention, I usually get around 25 or more people, which is great, it's free and I collect donations."

House shows and house parties can be good alternatives to bars and nightclubs (depending on who your neighbors are). Bars have to worry about bringing a certain amount of people in the door, and, like Gabe pointed out, enjoying the music isn't always the first priority of the customers.

"My main motivation is to offer music/art in a less commodified way."

Keep your eye on the Toledo Bellows website, as well as their myspace, for future bookings.

A bit of research (a tiny bit) also reveals the Carrick House in Clarkston, Michigan.

Related:
Ear Bleed - psychedelic noise from the black swamp. Be sure to check out the "Ear Bleed Radio" podcast page.

Tuesday, January 27, 2009

Tickets still available for Friday...


Proceeds benefit The Ark, and The Ragbirds are an Ann Arbor-based band. I'm in it for the Tweedy, but hey, who doesn't enjoy a little folk music every now and again? Saturday is sold out. Maybe I'll see you at one of my favorite places in Ann Arbor before (and probably after) the show.


Sunday, January 25, 2009

Former Vegan Grocers/Punk Rockers in Ypsi for All Your Indie Printing Needs

Be sure to visit the VG Kids site. From Raw Kraft CD and Vinyl Jackets, to shirts and posters in varying styles, their website showcases some fun stuff to look at.

"VG Kids is a local shop that will screenprint your stickers, posters, cd cases, t-shirts, etc. Print your shirts on sweatshop-free American Apparel or on locally owned and cooperatively-sewed Maggie's Organics, and have your posters done with eco-friendly inks. VG Kids has been spotted doing the printing for such household names as Saturday Looks Good To Me and Crimewave USA."

ArborWiki

It's their history that I find newsworthy. Read about their journey from vegan grocer, record and zine distributor, and punk venue in Pontiac, to their eventual home in Ypsi, printing for plenty of area musicians, artists, and events.


They have designers in house, with portfolios for viewing at the site. Also, check out the featured projects page to see what they're printing lately. You may recognize some of the work.

Here are a few of my favorites:

Last Year's Ann Arbor Film Festival Sticker (coming around again soon!): Steven Harrington Four Color Poster:
Demockratees T:
Or just get a hold of them one of the following several ways:

VGKids Customer Service Hours: 9am - 7pm EST
ph: 800.528.6343 ph: 734.480.0667 fax: 734.485.5128

vgkids@vgkids.com
AIM/iChat/Live Help: heyvgkids (@AIM)

Ypsilanti, MI Retail Storefront and Pickup Location
216 W. Michigan Ave.Ypsilanti, MI 48197 Google Map

Saturday, December 27, 2008

Whatcha Doin?

Industrious is a blog that, in my dreams, was once a magazine. I found over time that magazines are nearly impossible to publish without losing all of your money, and/or your mind. Maybe Industrious will be a magazine when it grows up. It could end up being some sort of web 15.0 video stream that I update telepathically (and send to your tricorder). Likely, it will just remain comfortable here as a helpful blog promoting creative culture in the Rust Belt.

Regardless, Industrious hopes to promote the up and coming efforts of artists, musicians, and other creative people in the Great Lakes area. In a region that is no stranger to troubled economic times, there are a lot of creative people looking to garner support for their work. I’d like to help them.